In an amusing match of meta-theatre, Gaddas romps on stage as himself, claiming that within the interval between gigs in tv collection resembling Emmerdale and Hollyoaks he had gathered a crew to analysis the reality behind Depend Dracula, who might have been an actual particular person in line with the notes by writer Bram Stoker which have not too long ago fallen into the actor’s palms.
The hypothesis is that Dracula might have been extra of a historic file than a novel. By slipping out and in of characters, Gaddas tells parallel tales – of the novel Dracula and of the more and more disturbing quest for the reality behind it.
It’s a wise conceit and he manages to maintain it effervescent with the assistance of John Bulleid’s illusions, Jeremy Swift’s soundscape and Matthew Karmios’ lighting.
His personal efficiency ranges from cosying as much as the viewers by way of references to Corrie and different soaps to full blown dramatic sequences resembling one involving Dracula’s dying, damaged assistant Renfield.
One-man exhibits hardly ever maintain greater than an hour of our consideration.
That is an exception.
Dracula on UK Tour till April 10 Tickets: draculatheplay.com
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